Results for 'R. P. Ingram-Winnington'

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  1.  17
    Choephori 691–9 (687–95).R. P. Ingram-Winnington - 1946 - The Classical Review 60 (02):58-60.
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  2.  34
    Zeus in the Persae.R. P. Winnington-Ingram - 1973 - Journal of Hellenic Studies 93:210-219.
  3.  22
    Two Passages of Horace.R. P. Winnington-Ingram - 1935 - The Classical Review 49 (04):127-128.
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  4.  26
    The Pentatonic Tuning of the Greek Lyre: A Theory Examined.R. P. Winnington-Ingram - 1956 - Classical Quarterly 6 (3-4):169-.
    It has commonly been assumed that, on ancient Greek instruments of the lyre-type , when a string had been tuned to a certain note, that note and that note only could be played, until the string was retuned; thus, that a separate string was required for each note of a given scale. This view involves certain difficulties. The canonical number of strings was seven, and seven-stringed lyres and citharas continue to be represented in art throughout the classical period. But, with (...)
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  5.  21
    The Rôle of Apollo in the Oresteia.R. P. Winnington-Ingram - 1933 - The Classical Review 47 (03):97-104.
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  6.  10
    The second Stasimon of the "Oedipus Tyrannus".R. P. Winnington-Ingram - 1971 - Journal of Hellenic Studies 91:119-135.
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  7.  22
    The Spondeion Scale.R. P. Winnington-Ingram - 1928 - Classical Quarterly 22 (2):83-91.
    Our information about the early stages of Greek music is so slight that these references of Aristides Quintilianus to an the Pseudo-Plutarch to a scale employed by the legendary figure Olympus take on an immense value for us. The dialogue itself is an unskilful patchwork, but the author's sources are often good. These particular passages are almost certainly both derived with small alteration from Aristoxenus, in whose time the traditional music ascribed to Olympus was still in use. For the elucidation (...)
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  8.  12
    Aeschylus, Agamemnon 1343–71.R. P. Winnington-Ingram - 1954 - Classical Quarterly 4 (1-2):23-.
    When the death-cry of Agamemnon is heard, the Chorus talks, but does nothing. This is the locus classicus of a Chorus which, in a situation that seems to demand effective intervention, is debarred from intervening by the necessity of remaining a Chorus. Did Aeschylus and his audience feel a difficulty here? No, says Professor G. Thomson; it is merely that modern taste is influenced by ‘the crude realism of the Elizabethan drama’. But this will not do, for it is Aeschylus (...)
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  9.  63
    Aristoxenus and the Intervals of Greek Music.R. P. Winnington-Ingram - 1932 - Classical Quarterly 26 (3-4):195-.
    Ancient Greek music was purely or predominantly melodic; and in such music subtleties of intonation count for much. If our sources of information about the intervals used in Greek music are not always easy to interpret, they are at any rate fairly voluminous. On the one hand we have Aristoxenus, by whom musical intervals were regarded spatially and combined and subdivided by the processes of addition and subtraction; for him the octave consisted of six tones, and the tone was exactly (...)
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  10.  19
    Aeschylus. Eumenides, 674–680.R. P. Winnington-Ingram - 1935 - The Classical Review 49 (01):7-8.
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  11.  29
    D. W. Lucas: The Greek Tragic Poets. Second edition. Pp. xiv + 274. London: Cohen & West, 1959. Cloth, 24 s. net.R. P. Winnington-Ingram - 1961 - The Classical Review 11 (02):160-.
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  12.  33
    Euripides André Rivier: Essai sur le Tragique d'Euripide. Pp. 240. Lausanne, Rouge, 1944. Paper, 6 Sw. fr.R. P. Winnington-Ingram - 1948 - The Classical Review 62 (01):17-18.
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  13.  23
    Euripides, Electra 1292–1307.R. P. Winnington-Ingram - 1937 - The Classical Review 51 (02):51-52.
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  14.  30
    Emil Staiger: Euripides, Ion. Deutsch mit einer Einleitung. Pp. 66. Bern: Francke, 1947. Boards, 5.50 Sw. fr.R. P. Winnington-Ingram - 1949 - The Classical Review 63 (02):71-.
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  15.  31
    Greek Tragedy - D. W. Lucas: The Greek Tragic Poets. Pp. ix+253. London: Cohen & West, 1950. Cloth, 15 s. net.R. P. Winnington-Ingram - 1952 - The Classical Review 2 (01):21-22.
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  16.  28
    The Greek Modes K. Schlesinger: The Greek Aulos. Pp. 1+577; 18 plates. London: Methuen, 1939. Cloth, 42s.R. P. Winnington-Ingram - 1939 - The Classical Review 53 (5-6):185-186.
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  17.  23
    The Loeb Aeschylus.R. P. Winnington-Ingram - 1959 - The Classical Review 9 (03):239-.
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  18.  19
    Two Latin Idioms.R. P. Winnington-Ingram - 1955 - The Classical Review 5 (02):139-141.
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  19.  13
    Προεπιλογή πυθαγόρα, το «πείραμα» με τα σφυριά, ελικών.Jon Solomon, T. J. Mathiesen, R. P. Winnington-Ingram, A. Barker, W. S. Hett, H. S. Macran, L. Rowell, L. Pearson, C. B. Gulick & C. Bower - 1986 - American Journal of Philology 107 (4):455-479.
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  20.  19
    Apollo's last words in aeschylus'eumenides.O. Taplin, P. Victorius, So H. Weil & R. P. Winnington-Ingram - 2006 - Classical Quarterly 56:12-18.
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  21.  23
    Music and Metre Émile Martin: (I) Trois documents de musique grecque. Pp. 78; 2 plates. (2) Essai sur les rythmes de la chanson grecque antique. Pp. viii+365. Paris: Klincksieck, 1953. Paper, 800 fr., 1, 600 fr. [REVIEW]R. P. Winnington-Ingram - 1955 - The Classical Review 5 (01):83-86.
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  22.  37
    A Literary Study of Greek Tragedy H. D. F. Kitto: Greek Tragedy: a Literary Study. Pp. x+410. London: Methuen, 1939. Cloth, 15s. [REVIEW]R. P. Winnington-Ingram - 1940 - The Classical Review 54 (02):79-80.
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  23.  44
    Aeschylus' Persae H. D. Broadhead: The Persae of Aeschylus. Edited with introduction, critical notes and commentary. Pp. lxxiii+350. Cambridge: University Press, 1960. Cloth, 45s. net. [REVIEW]R. P. Winnington-Ingram - 1962 - The Classical Review 12 (02):122-125.
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  24.  36
    Aulos und Kithara in der griechischen Musik bis zum Ausgang der klassischen Zeit. Von Helmut Huchzermeyer. Pp. 76. Emsdetten (Westf.): H. und J. Lechte, 1931. Paper. [REVIEW]R. P. Winnington-Ingram - 1932 - The Classical Review 46 (05):233-.
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  25.  53
    Fraenkel's Agamemnon- Aeschylus: Agamemnon. Edited With A Commentary By Eduard Fraenkel. 3 vols. Vol. I, pp. xvi + 195; Vols. II and III, pp. viii + 850. Oxford: Clarendon Press, 1950. Cloth, £4. 4s. net. [REVIEW]R. P. Winnington-Ingram - 1951 - The Classical Review 1 (3-4):147-151.
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  26.  32
    Greek Music Otto Johannes Gombosi: Tonarten und Stimmungen der antiken Musik. Pp. xiii+148; 1 plate. Copenhagen: Munksgaard, 1939 [1950]. Paper, kr. 25. [REVIEW]R. P. Winnington-Ingram - 1952 - The Classical Review 2 (01):34-36.
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  27.  49
    The Agamemnon (1) J. D. Denniston and Denys Page: Aeschylus, Agamemnon. Pp. xxxix + 240. Oxford: Clarendon Press, 1957. Cloth, 21s. net. (2) Eduard Fraenkel: Der Agamemnon des Aeschylus. Pp. 38. Zürich: Artemis-Verlag, 1957. Paper, 3.80 Sw. fr. [REVIEW]R. P. Winnington-Ingram - 1959 - The Classical Review 9 (01):23-26.
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  28.  36
    The Loeb Aeschylus - Aeschylus. With an English translation by Herbert Weir Smyth. Vol. ii. Reprinted with an Appendix edited by Hugh Lloyd-Jones. (Loeb Classical Library.) Pp. 611. London: Heinemann, 1957. Cloth, 15 s. net. [REVIEW]R. P. Winnington-Ingram - 1959 - The Classical Review 9 (03):239-241.
  29.  40
    Augustine's De Musica. [REVIEW]R. P. Winnington-Ingram - 1951 - The Classical Review 1 (3-4):200-201.
  30.  22
    Begriff und Funktion der Dike in den Tragödien des Aischylos. [REVIEW]R. P. Winnington-Ingram - 1957 - The Classical Review 7 (2):158-159.
  31.  25
    Characterization in Euripides. [REVIEW]R. P. Winnington-Ingram - 1949 - The Classical Review 63 (1):15-16.
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  32.  33
    Greek Music and Poetry. [REVIEW]R. P. Winnington-Ingram - 1965 - The Classical Review 15 (2):193-195.
  33.  24
    The Glorification of Athens in Greek Drama. [REVIEW]R. P. Winnington-Ingram - 1949 - The Classical Review 63 (1):33-33.
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  34.  40
    The Style of Aeschylus. [REVIEW]R. P. Winnington-Ingram - 1949 - The Classical Review 63 (3-4):95-96.
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  35.  19
    Islam, Judaism, and Zoroastrianism.Navras Jaat Aafreedi, Raihanah Abdullah, Zuraidah Abdullah, Iqbal S. Akhtar, Blain Auer, Jehan Bagli, Parvez M. Bajan, Carole A. Barnsley, Michael Bednar, Clinton Bennett, Purushottama Bilimoria, Leila Chamankhah, Jamsheed K. Choksy, Golam Dastagir, Albert De Jong, Amanullah De Sondy, Arthur Dudney, Janis Esots, Ilyse R. Morgenstein Fuerst, Jonathan Goldstein, Rebecca Ruth Gould, Thomas K. Gugler, Vivek Gupta, Andrew Halladay, Sowkot Hossain, A. R. M. Imtiyaz, Brannon Ingram, Ayesha A. Irani, Barbara C. Johnson, Ramiyar P. Karanjia, Pasha M. Khan, Shenila Khoja-Moolji, Søren Christian Lassen, Riyaz Latif, Bruce B. Lawrence, Joel Lee, Matthew Long, Iik A. Mansurnoor, Anubhuti Maurya, Sharmina Mawani, Seyed Mohamed Mohamed Mazahir, Mohamed Mihlar, Colin P. Mitchell, Yasien Mohamed, A. Azfar Moin, Rafiqul Islam Molla, Anjoom Mukadam, Faiza Mushtaq, Sajjad Nejatie, James R. Newell, Moin Ahmad Nizami, Michael O’Neal, Erik S. Ohlander, Jesse S. Palsetia, Farid Panjwani & Rooyintan Pesh Peer - 2018 - Springer Verlag.
    The earlier volume in this series dealt with two religions of Indian origin, namely, Buddhism and Jainism. The Indian religious scene, however, is characterized by not only religions which originated in India but also by religions which entered India from outside India and made their home here. Thus religious life in India has been enlivened throughout its history by the presence of religions of foreign origin on its soil almost from the very time they came into existence. This volume covers (...)
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  36.  44
    Islam, Judaism, and Zoroastrianism.Navras Jaat Aafreedi, Raihanah Abdullah, Zuraidah Abdullah, Iqbal S. Akhtar, Blain Auer, Jehan Bagli, Parvez M. Bajan, Carole A. Barnsley, Michael Bednar, Clinton Bennett, Purushottama Bilimoria, Leila Chamankhah, Jamsheed K. Choksy, Golam Dastagir, Albert De Jong, Amanullah De Sondy, Arthur Dudney, Janis Esots, Ilyse R. Morgenstein Fuerst, Jonathan Goldstein, Rebecca Ruth Gould, Thomas K. Gugler, Vivek Gupta, Andrew Halladay, Sowkot Hossain, A. R. M. Imtiyaz, Brannon Ingram, Ayesha A. Irani, Barbara C. Johnson, Ramiyar P. Karanjia, Pasha M. Khan, Shenila Khoja-Moolji, Søren Christian Lassen, Riyaz Latif, Bruce B. Lawrence, Joel Lee, Matthew Long, Iik A. Mansurnoor, Anubhuti Maurya, Sharmina Mawani, Seyed Mohamed Mohamed Mazahir, Mohamed Mihlar, Colin P. Mitchell, Yasien Mohamed, A. Azfar Moin, Rafiqul Islam Molla, Anjoom Mukadam, Faiza Mushtaq, Sajjad Nejatie, James R. Newell, Moin Ahmad Nizami, Michael O’Neal, Erik S. Ohlander, Jesse S. Palsetia, Farid Panjwani & Rooyintan Pesh Peer - 2018 - Springer Verlag.
    The earlier volume in this series dealt with two religions of Indian origin, namely, Buddhism and Jainism. The Indian religious scene, however, is characterized by not only religions which originated in India but also by religions which entered India from outside India and made their home here. Thus religious life in India has been enlivened throughout its history by the presence of religions of foreign origin on its soil almost from the very time they came into existence. This volume covers (...)
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  37.  7
    Two Studies in Greek Musical Notation.Reginald P. Winnington-Ingram - 1978 - Philologus: Zeitschrift für Antike Literatur Und Ihre Rezeption 122 (1-2):237-248.
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  38.  3
    The first notational diagram of Aristides quintilianus.Reginald P. Winnington-Ingram - 1973 - Philologus: Zeitschrift für Antike Literatur Und Ihre Rezeption 117 (1-2):243-249.
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  39.  40
    Sophocles - R. P. Winnington-Ingram: Sophocles: An Interpretation. Pp. xii + 346. Cambridge University Press. 1980. £25 (paper, £8.50). [REVIEW]B. M. W. Knox - 1982 - The Classical Review 32 (1):8-12.
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  40.  31
    Studies in Aeschylus - R. P. Winnington-Ingram: Studies in Aeschylus. Pp. xiv + 225. Cambridge University Press, 1983. £25. [REVIEW]A. F. Garvie - 1985 - The Classical Review 35 (1):7-8.
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  41.  68
    The Bacchae - R. P. Winnington-Ingram: Euripides and Dionysus: An Interpretation of the Bacchae. Pp. viii+190. Cambridge: University Press, 1948. Cloth, 15 s[REVIEW]J. S. Morrison - 1949 - The Classical Review 63 (3-4):96-98.
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  42.  52
    Euripidean Problems H. Diller, J. C. Kamerbeek, A. Lesky, V. Martin, A. Rivier, R. P. Winnington-Ingram, G. Zuntz: Euripide. (Entretiens Hardt, tome vi.) Pp. 290. Cambridge: Heffer, 1960. Cloth, £2. 10s. net. [REVIEW]D. W. Lucas - 1962 - The Classical Review 12 (02):126-129.
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  43.  14
    Citation Index.R. P. Abelson, A. A. Abrahamsen, A. Adelstein, P. Ammon, J. Anderson, R. A. Anderson, E. Aronson, J. L. Aronson, J. Astington & R. C. Atkinson - 1997 - In David Martel Johnson & Christina E. Erneling (eds.), The Future of the Cognitive Revolution. Oxford University Press.
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  44. The numbers in italics refer to the pages on which the complete references are listed.R. P. Abeles, J. Adelson, A. Ahlgren, M. D. S. Ainsworth, G. W. Allport, R. Alpert, D. Anderson, M. Arnold, J. Aronfreed & Averill Jr - 1975 - In David J. DePalma & Jeanne M. Foley (eds.), Moral development: current theory and research. New York: Halsted Press.
     
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  45. Ingram, R. E., Kendall, PC, Smith, TW, Donnell, C., & ionan, K. 11987).A. M. Isen, K. A. Daubman & G. P. Nowicki - 1988 - Cognition and Emotion 3:279-280.
  46.  59
    Interactive technology assessment and wide reflective equilibrium.R. P. B. Reuzel, G. J. van der Wilt, H. A. M. J. ten Have & P. F. Vries Robdeb - 2001 - Journal of Medicine and Philosophy 26 (3):245 – 261.
    Interactive technology assessment (iTA) provides an answer to the ethical problem of normative bias in evaluation research. This normative bias develops when relevant perspectives on the evaluand (the thing being evaluated) are neglected. In iTA this bias is overcome by incorporating different perspectives into the assessment. As a consequence, justification of decisions based on the assessment is provided by stakeholders having achieved agreement. In this article, agreement is identified with wide reflective equilibrium to show that it indeed has the potential (...)
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  47.  34
    Beyond Naturalism: A Reconstruction of Daoist Environmental Ethics.R. P. Peerenboom - 1991 - Environmental Ethics 13 (1):3-22.
    In this paper I challenge the traditional reading of Daoism as naturalism and the interpretation of wu wei as “acting naturally.” I argue that such an interpretation is problematic and unhelpful to the would-be Daoist environmental ethicist. I then lay the groundwork for a philosophically viable environmental ethic by elucidating the pragmatic aspects of Daoist thought. While Daoism so interpreted is no panacea for all of our environmental ills, it does provide a methodology that may prove effective in alleviating some (...)
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  48.  71
    Rationales and argument moves.R. P. Loui & Jeff Norman - 1995 - Artificial Intelligence and Law 3 (3):159-189.
    We discuss five kinds of representations of rationales and provide a formal account of how they can alter disputation. The formal model of disputation is derived from recent work in argument. The five kinds of rationales are compilation rationales, which can be represented without assuming domain-knowledge (such as utilities) beyond that normally required for argument. The principal thesis is that such rationales can be analyzed in a framework of argument not too different from what AI already has. The result is (...)
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  49.  28
    Interactive technology assessment and wide reflective equilibrium.R. P. B. Reuzel, G. J. Van der Wilt, Hamj ten Have & P. F. de Vries Robbe - 2001 - Journal of Medicine and Philosophy 26 (3):245-261.
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  50. Behaviorism and the psychology of language: An historical reassessment.R. P. Powell & A. W. Still - 1979 - Behaviorism 7 (1):71-89.
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